we whisper in the men’s latrine,
pedal deeply inside each others’
guts gray-scaled baroque
renderings of your hunger,
my hunger churning
maternity leave
who will be the first one to
forget our inside chyme?
who will mew the good-bye
phrase?
once, we called you a Sally
now, you lay hands on my neck
a frontiersman lapping up new
menarches shoring
¾ sleeved mommy-and-me’s,
hopscotches up my arms
casinos, a regimen of the dating scene,
a cubicle, a rave pantry, tribal paint
in my trigeminal nerve (the chewing,
biting, swallowing nerve) now, crazy
straw doubling my belly
my ghost towns teeming with news
networks renegotiating “no,
please, no” subdivisions task light
reaching a brand new nest, opulent
with semen-so-silly he does wear
his ring in a marrying club in the morning
we pluck chin hairs at no-turn-on-red’s
who will buy my bifocal no-doze when
my stats are beaten so low? my résumé
littered with a green screen of nothing and
a magnetic plate of days looping on days
my Übermensch, a man palatable for Mecca
and me: pancake errors, microwave s’mores,
all with passive verb tenses
pedal deeply inside each others’
guts gray-scaled baroque
renderings of your hunger,
my hunger churning
maternity leave
who will be the first one to
forget our inside chyme?
who will mew the good-bye
phrase?
once, we called you a Sally
now, you lay hands on my neck
a frontiersman lapping up new
menarches shoring
¾ sleeved mommy-and-me’s,
hopscotches up my arms
casinos, a regimen of the dating scene,
a cubicle, a rave pantry, tribal paint
in my trigeminal nerve (the chewing,
biting, swallowing nerve) now, crazy
straw doubling my belly
my ghost towns teeming with news
networks renegotiating “no,
please, no” subdivisions task light
reaching a brand new nest, opulent
with semen-so-silly he does wear
his ring in a marrying club in the morning
we pluck chin hairs at no-turn-on-red’s
who will buy my bifocal no-doze when
my stats are beaten so low? my résumé
littered with a green screen of nothing and
a magnetic plate of days looping on days
my Übermensch, a man palatable for Mecca
and me: pancake errors, microwave s’mores,
all with passive verb tenses
this is brilliant.
ReplyDeleteit's a short chat outside a dance club then the entrance in "once, we called you sally"
that's what the pacing visualized itself into for me.
the caesura and line breaks are on point.